By Nigel French
Because the function record of Adobe Photoshop keeps to develop, even clients with years of expertise can consider crushed by way of the various instruments and techniques for choosing or keeping apart components of a picture. Layers, channels, paths, clipping mask, layer mask, vector mask, the Pen device, Magic Wand, and so forth - all allow clients paintings on particular areas of a picture, yet in essentially other ways. Making fresh, effective choices is vital abilities for any Photoshop consumer, even if a photograph fashion designer, specialist photographer, or hobbyist. image dressmaker, instructor, and Photoshop professional Nigel French saves you hours of frustration through illuminating the simplest choice instruments and strategies for particular projects, and the main versatile techniques to correcting and modifying photographs in Photoshop. utilizing step by step examples, this ebook clarifies often-misunderstood choice equipment, indicates which mask top opt for a number tone or colour, and demonstrates how definitely the right instruments and strategies may also help remodel even the main mediocre photo right into a polished photo, saving you hours of time. * examine the basics of creating choices, and while to settle on which technique * mixture photos and substitute backgrounds utilizing layer, vector, and channel mask * right colour and publicity utilizing adjustment layers * Make next-to-impossible hair decisions with channel mask * Create a non-destructive workflow, providing you with overall artistic freedom
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Additional resources for Adobe PhotoShop Unmasked: The Art and Science of Selections, Layers, and Paths
When viewed individually, channelseven color channelsare displayed as grayscale images. You have the preference of viewing your color channels in color, but this is not as useful as it may sound (see the following section, "Using the Channels Palette"). Those of you into Photoshop numerology will be interested to know that you can have as many as 56 channels (57 including the composite channel). Common sense, however, will ensure that you use far fewer. Adding channels to your document will increase its file size, although not significantly; the more important issue is that too many channels will likely cause confusion.
Once you have a path, you're just a click away from a selection. The Pen tool is the best choice for making a selection in the following circumstances: • When the subject is made up wholly or in part of graceful curves or straight edges. • When the subject is a complex shape set against a low or varying contrast background, ruling out using color-based selection tools. • When you become exasperated with the Magnetic Lasso tool and its tendency to fly out of control. The paths we draw in Photoshop (and in Illustrator and InDesign) are made up of Bézier curves, named for their inventor Pierre Étienne Bézier (1910-1999).
As an optional finishing step I added a simple drop shadow by choosing Drop Shadow from the Layer Styles pull-down menu at the bottom of the Layers palette. " Masking Tips Here are some tips that are equally applicable whatever kind of mask you are working on: a Quick Mask, alpha channel, or a layer mask (see Chapter 4 for more information on layer masks). • Ask yourself why. Be sure to ask yourself what you are making that mask for. Depending on your intent, it may not even be necessary to make a mask.
Adobe PhotoShop Unmasked: The Art and Science of Selections, Layers, and Paths by Nigel French