By Mark Galer
Unharness the hidden power for pro snapshot enhancing in Adobe® Photoshop® parts with this project-based, real-world guide.
Using step by step directions and accompanying motion picture tutorials, Mark Galer leads you thru the fewer recognized and strongest post-production enhancing ideas Adobe® Photoshop® parts has to provide. crafty tips and smart workarounds assist you to create specialist photographs with out positive aspects from the complete Adobe® Photoshop® package deal that you just desire yet don't need to pay for - practice projects you did not imagine have been attainable in Adobe® Photoshop® Elements!
Whether you are an imaging expert or a images fanatic, this e-book can assist you get the utmost functionality out of your software program. learn the way to:
* Create notable results without advertisement lighting fixtures or studio equipment
* expand the dynamic diversity of your camera by way of merging a number of exposures
* Optimize, improve and montage photos with beautiful results
The accompanying DVD offers wide aid with motion picture tutorials for all initiatives, excessive solution photos, multilayered records of accomplished tasks, a inventory library and a keyboard shortcut guide.
Mark Galer is a contract photographer, finished lecturer and best-selling writer of quantity books on images. he's an reputable Adobe Ambassador for Adobe® Photoshop® and Adobe® Photoshop® parts.
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Extra resources for Adobe Photoshop Elements 6 Maximum Performance
Selecting the Raw format in the camera instead of JPEG or TIFF stops the camera from processing the color data collected from the sensor. Digital cameras typically process the data collected by the sensor by applying the white balance, sharpening and contrast settings set by the user in the camera’s menus. The camera then compresses the bit depth of the color data from 12 to 8 bits per channel before saving the ﬁle as a JPEG or TIFF ﬁle. Selecting the Raw format prevents this image processing taking place.
Move the sliders back until these colors disappear, but no farther. If colors are still appearing in the image window with the sliders all the way back to the edge of the histogram then your image was either underexposed or overexposed by the camera. If you are really unlucky you will have lost detail both in the shadows and in the highlights as a result of the photographer’s worst enemy - excessive contrast. Not even the magic called Photoshop Elements can dig you out of this hole, my friend. 3 .
A photographer looking to save a little time later may introduce a ‘gray card’ or ‘white balance’ reference card in the ﬁrst frame of a shoot to simplify this task. 24 Project 3: Camera RAW 2. Basic adjustments - Tonality Set the tonal range of the image using the Exposure, Blacks and Brightness sliders. These sliders behave similarly to the input sliders in the Levels dialog box and will set the black and white points within the image. The Brightness slider adjusts the midtone values in a similar way to the Gamma slider when using Levels dialog.
Adobe Photoshop Elements 6 Maximum Performance by Mark Galer