By Jeff Foster
"Jeff Foster has created the only critical and definitive construction advisor to 2 of the world's maximum symbiotic instruments: After influence and Photoshop."—Jack H. Davis, coauthor, the Photoshop Wow! books and the way to Wow: Photoshop for PhotographyNothing beats the tight synergy of After results and Photoshop for developing professional-level results, and not anything beats this publication for displaying you ways Hollywood pros quite use those programs.In this moment version to his bestselling e-book, television and picture images veteran Jeff Foster presents all-new info on After results 7 and Photoshop CS2—plus elevated insurance of blue/green screening and titling, attractive new photographs, and leading edge real-world suggestions for brand new execs. larger than ever, this must-have reference continues to be the one advisor that indicates tips on how to use those superpower courses jointly to accomplish expert results.The DVD contains creation fabrics, third-party plug-ins and filters, and inventory video. you are going to additionally locate venture documents and photographs to compliment each one of the book's initiatives, which require After results 7 or later.Learn what the professionals comprehend, together with how to:Add intensity in your animation through mimicking actual motionGrab your audience's cognizance with inventive movement titlingShoot a fresh blue/green screenApply 3D animation to 2nd imagesRemove backgrounds with blue-screen rubbish mattesRetouch body via body with rotoscopingConstruct practical composites and locales with matte paintingMake videos from stills through simulating 3D digital camera motionProduce real looking results resembling noise, clouds, and smokeNote: CD-ROM/DVD and different supplementary fabrics aren't incorporated as a part of book dossier.
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Additional info for After Effects and Photoshop: Animation and Production Effects for DV and Film, Second Edition
3. Select the film reel layer, right-click/Ctrl+click it in the Comp 1 window, and select 3-D Layer from the contextual menu. This will convert the layer to a 3-D layer, using the transparent space of the Photoshop layer as the defining edges in 3-D. 2). 2 Converting the layer into a 3-D layer will allow it to be moved along the X-, Y-, and Z-axes. To make the third dimension more predominant, we’ll add the ability for this layer to cast shadows when we shine a light on it. Drop down the settings for the layer in the Timeline window, and open Material Options.
Duplicate the neon tube object layer and open the Layer Style dialog box. Deselect the Inner Glow and Outer Glow options by clicking their check boxes off. 2. 24 Applying a drop shadow in the “off” version of the tubing will give the object a 3-D effect against the background. 24. Depending on your background color, you will need to adjust the opacity of the shadow’s intensity to make it just barely visible. qxd 1/25/06 5:01 PM Page 18 3. Jump to ImageReady to animate the sequence of the light flashing on and off.
This will assure that enough of the image around the edges will be pulled in by the movement of the displacement map effect. 15 Adjust the image layer to allow source material to be pulled and pushed out of the frame by the displacement map. 36 CHAPTER Page 36 8. Apply the displacement map effect to the Water image layer by selecting Effects > Distort > Displacement Map. 16). Use Luminance for both the Horizontal and Vertical displacements, and set the maximum pixel movement to 15 for both. Increase or decrease these numbers to control the amount of movement you want to have in your animation.
After Effects and Photoshop: Animation and Production Effects for DV and Film, Second Edition by Jeff Foster