By Maurice Hamilton
Effective paintings caliber, black-and-white prints are inside each photographer's achieve with the recommendations illustrated during this electronic photograph modifying advisor. profiting from the keep watch over and reproducibility that the electronic darkroom bargains, this instruction manual teaches photographers the best way to fine-tune pictures with distinction and publicity degrees, crop and rotate photographs for dynamic effects, and take away flaws comparable to airborne dirt and dust and scratches lengthy after the picture has been taken. guide on innovations that simulate conventional hand coloring and tinting and upload lighting tricks comparable to frames, infrared, and lights and lens results is helping photographers notice their inventive imaginative and prescient. display photographs and pictures consultant readers during the awarded thoughts, permitting photographers to gauge their very own effects and count on the consequences of the defined corrections and improvements all alone pictures. A gallery of the author's paintings presents concept for simulating—and bettering upon—the chemical-based darkroom event.
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GAUSSIAN BLUR. The radius has been set to 10, and the blur along an edge is previewed at 100% magnification. near the bottom of the Toolbox to open the Quick Mask Options dialog box. Set Color to Selected Areas and Opacity to 100%, then click OK. To enhance the edges of the mask, press Command/Control+L to open the Levels dialog box and move the Input Levels shadow and highlight sliders inward to increase the contrast between the selected and masked portions of the mask. If the goal is to lighten the shadows using an inverted luminosity mask, for example, move the sliders so the shadows are the color of the mask (red by default) and the mask color is eliminated from the highlights (fig.
Ified within the shadows or highlights. When lightening shadows using the Shadows Tonal Width slider, smaller values focus on the darkest tones, whereas larger values expand the effect to include the midtones. Similarly, low values for the Highlights Tonal Width limit the adjustment to the brightest tones, and higher values include more midtones. Radius specifies the area analyzed to determine whether a given pixel is in the shadows or highlights. A larger radius results in smoother transitions between the adjusted and unadjusted areas.
Another method for selecting shadows and highlights utilizes the Threshold command, which sets all colors in an image to black or white depending upon their tonality compared to a the Threshold value. All pixels darker than the Threshold Level are set to black, and all pixels lighter than the Threshold Level are set to white. To use this technique, add a Threshold adjustment layer by clicking on the half-black/halfwhite circle icon at the bottom of b the Layers palette and selecting FIGURES 3-22A AND B.
Black & White Photography Techniques: With Adobe Photoshop by Maurice Hamilton