Jim Henson: The Biography by Brian Jay Jones PDF

By Brian Jay Jones

ISBN-10: 0345526139

ISBN-13: 9780345526137

Nationwide BESTSELLER

For the 1st time ever--a complete biography of 1 of the 20 th century's such a lot cutting edge inventive artists: the incomparable, irreplaceable Jim Henson

He was once a gradual dreamer whose genial bearded visage used to be famous all over the world, yet most folks acquired to understand him merely during the iconic characters born of his fertile mind's eye: Kermit the Frog, Bert and Ernie, leave out Piggy, gigantic poultry. The Muppets made Jim Henson a family identify, yet they have been simply a part of his striking story.

This amazing biography--written with the beneficiant cooperation of the Henson family--covers the total arc of Henson's all-too-brief existence: from his youth in Leland, Mississippi, over the years of burgeoning status in the US, to the last decade of overseas superstar that preceded his premature dying at age fifty-three. Drawing on hundreds of thousands of hours of recent interviews with Henson's relations, associates, and closest collaborators, in addition to unparalleled entry to non-public kin and corporate records, Brian Jay Jones explores the construction of the Muppets, Henson's contributions to Sesame highway and Saturday evening stay, and his approximately ten-year crusade to deliver The Muppet exhibit to tv. Jones offers the ingenious context for Henson's non-Muppet tasks, together with the richly imagined worlds of The darkish Crystal and Labyrinth--as good as interesting misfires like Henson's dream of starting an inflatable psychedelic nightclub.

An uncommonly intimate portrait, Jim Henson captures the entire aspects of this American unique: the grasp craftsman who revolutionized the presentation of puppets on tv, the savvy businessman whose dealmaking prowess received him a name as "the new Walt Disney," and the inventive staff chief whose collaborative ethos earned him the timeless loyalty of everybody who labored for him. right here is also perception into Henson's intensely inner most own lifestyles: his Christian technological know-how upbringing, his love of quickly autos and costly artwork, and his weak spot for ladies. although an optimist through nature, Henson used to be haunted by way of the thought that he should not have time to do every thing he desired to do in life--a worry that his heartbreaking ultimate hours might turn out all too good founded.

An up-close examine the charmed lifetime of a legend, Jim Henson supplies the complete degree to a guy whose pleased genius transcended age, language, geography, and culture--and maintains to beguile audiences all over the world.

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The audience by the later period had been placed behind a “fourth wall” and was expected to more passively observe and eavesdrop on the scene in front of them (literally), and, once again, to be placed in the position of individual readers rather than a collective and responsive audience. As Margreta de Grazia reminds us, after the Restoration, when the stage was raised above the standing audience’s eye-line, audiences were kept at a distance on the assumption that “To be life-like, the illusion of Hamlet thinking requires privacy and silence, but the presence of an audience precludes both” (de Grazia, 2007 185).

In 1517, he began his “disputation” with the Roman Catholic Church with a letter known as the Ninety-Five Theses, and on refusing to repudiate his criticisms of the papacy and church practices, he was excommunicated. With the equally modern invention of the printing press on hand, translations of the Theses had, by 1519, spread throughout Europe, including France and England. The rest, as they say, is history, since Luther had ignited the Reformation through which Protestantism steadily spread over northern Europe.

The direct “address to the audience,” as by a chorus or in a prologue or epilogue, was so well known that by 1590 it “came to seem outmoded and amateurish” (Hirsh, 2012 18), but rather than being abandoned, it could be adapted. The other type, “speaking to himself,” was newer and may even have been more or less invented by Marlowe and Kyd. 23]), it does not seem impossible that a character may in one speech speak to the audience and speak to himself, while being overheard by the audience but not by other characters.

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Jim Henson: The Biography by Brian Jay Jones


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