Read e-book online Music Technology PDF

By Julio d'Escriván

ISBN-10: 1107000807

ISBN-13: 9781107000803

Emphasising the inventive element of song expertise, this advent units out an summary of the sphere for track scholars in a non-scientific and easy approach. enticing and uncomplicated, the e-book covers studio techniques: uncomplicated audio and the studio workflow, together with audio and MIDI recording. It explores synthesisers, samplers and drum machines in addition to simple ideas for digital functionality. In contemplating the function of the DJ, the booklet addresses remixing and creation, drawing upon many examples from the preferred song repertoire in addition to the studio as an experimental laboratory. The artistic workflow concerned about song for media is mentioned, in addition to controllers for functionality and the fundamentals of hacking electronics for track. The booklet as an entire displays the numerous interesting components chanced on this day in track expertise and goals to set aspiring musicians off on a trip of discovery in digital tune.

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Unless you are actually looking to create that effect, this will make your recording less faithful to the original. If the microphones are separated such that the delay is equal to half a period of the waveform, this will lead to phase cancellation, as the positive amplitude of one is added to the (mirror image) negative of the other, amounting Representing and storing sound 13 to zero in the end. As you can see, knowing about phase is quite important in the recording process. Another advantage of being able to ‘see’ amplitude is this: when the sound pressure exceeds the capacity of the microphone diaphragm to vibrate, we get distortion in the recording; this is reflected by ‘squared off’ (clipped) peaks in the waveform and we can see the distortion, even if it is not as perceptible to the ear, as it occurs and then remove it if we want to!

Note that mixing desks4 can be used for live sound reinforcement, sound diffusion,5 sound recording or DJ performance. We will look at ideas on sound reinforcement in Chapter 5, below. It is worth noting that live-sound mixing desks are essentially similar to studio desks: they simply have features that are more suited to concert presentations. DJ mixing desks are also similar, but will have a selection of the most useful features for DJ performance. Both live-sound and DJ mixers have many software equivalents, yet the use of actual mixing hardware is more common in these applications.

6, you can observe how it represents the signal flow. The path has arrows showing the direction of the audio signal. Whenever the signal can be tapped, there is a node that represents this (a circle). A signal can be tapped for monitoring its intensity (RMS, or peak) but it can also be tapped to divert it elsewhere. In our block diagram, the signal can go directly to the mix with no processing at the same time as it goes through the audio software. The diagram shows how we can control volume, pan, muting and soloing for each channel, both direct to the hardware outputs (top line path) or through the audio software.

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Music Technology by Julio d'Escriván


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