By Christopher Grey
Are looking to supply your consumers extra to selected from? Here's how: award successful photographer, Christopher gray, has constructed ideas to reinforce portrait images, utilizing the artistic purposes to be had in Photoshop. Photoshop results for Portrait Photographers comprises unique motives of the way to duplicate many darkroom concepts with Photoshop (Dodging, Burning, Vignettes, etc.) in addition to digicam and past expertise suggestions (Short concentration, excessive velocity movie Grain, Hand Coloring, etc.). gray has additionally built nearly dozen how one can reflect conventional painterly and illustrative suggestions equivalent to tough Charcoal cartoon, rainy Watercolor, Silkscreen, and Oil Chalk. photos to be had for downloading at http://www.ChristopherGrey.com/booksamples.
* each one impact is roofed in a 2-4 web page complete colour unfold for simple comprehension and step by step instructions
* results outfitted with Photoshop CS2, yet just about all will paintings with any model of playstation that helps Layers
* Takes a few of Photoshop positive aspects that aren't fairly as much as par and offers you the information to take the influence to the following level
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Are looking to provide your consumers extra to selected from? Here's how: award successful photographer, Christopher gray, has built concepts to reinforce portrait images, utilizing the artistic functions on hand in Photoshop. Photoshop results for Portrait Photographers comprises specific causes of ways to copy many darkroom options with Photoshop (Dodging, Burning, Vignettes, and so on.
Extend your electronic artwork chances with Poser professional and Photoshop CS4! when you are a electronic artist who has been pissed off with the restrictions and complicated interfaces of 3D software program items some time past, "The paintings of puzzle and Photoshop: The professional Guide" will enable you to harness the dynamic services of either Poser and Photoshop to create attention-grabbing and targeted imagery.
Images and Photoshop move hand in hand. should you consider there is not sufficient images within the common Photoshop publication, and there is not sufficient Photoshop within the regular images publication, then the e-book you are looking for is true on your palms. This full-color ebook is jam-packed with potent examples, easy to stick with thoughts, and tips that function a jumping-off aspect to spark your individual creativity into motion.
Extra resources for Photoshop Effects for Portrait Photographers
Fibers was introduced in Photoshop CS, so if you’re working with an earlier version you will not have this option. Please note that Fibers take its color from the Foreground color, so be certain that the Foreground color is black. You can lessen the effect by using a deep gray such as 4F4D4E (Figure 1-117). Step 4 After applying the Fibers filter, set the Opacity of the layer to 15% and its Blending Mode to Soft Light (Figure 1-118). Figure 1-119 Step 5 Merge the two layers (LayersϾMerge Down).
As with all of my techniques, I encourage you to play and expand on them. Figure 1-104 30 Photoshop Effects for Portrait Photographers Christopher Grey To find the exact opposite of any sampled color, do this: Step 1 At any time in the procedure, use the Rectangular or Elliptical Marquee and draw a small shape on your image. Step 2 Fill that selection with the sampled Foreground color. The Blending Mode should be Normal, fill at 100%, do not select Preserve Transparency. Step 3 ImageϾAdjustmentsϾInvert to reverse the color.
Step 2 When film balanced for tungsten light was photographed under daylight conditions, the results had a heavy cyan cast. Select the Color Picker and type in 00ADEF in the box at the bottom. Click OK and the Foreground color will be Photoshop’s vision of pure cyan (Figure 1-92). Figure 1-91 Step 3 Use the double arrow on the Toolbox to exchange the Foreground and Background colors (Figure 1-93). Step 4 With the Eyedropper, select the color found in a bright section of skin tone. If you’re working on a still life or other nonhuman image, pick a color that you’ll be comfortable with (Figure 1-94).
Photoshop Effects for Portrait Photographers by Christopher Grey