By Charles Hubert Hastings Parry
In 1893, the English composer and director of the Royal collage of track C. Hubert H. Parry released precis of the advance of Medieval and glossy ecu tune, an summary of eu tune from the center a while to the paintings of Schubert and Brahms. meant for tune scholars, the ebook summarises the foremost composers, their paintings and the social conditions that surrounded the production in their tune. This bold ebook is split into 12 chronological chapters, from the troubadours and plainsong, via Bach and Handel to the increase of the symphony, Mozart, and the emergence of song as an expression of nationalism. within the book's first half, Parry deftly places track in historic context, discussing England's Wars of the Roses, and the Reformation in terms of the altering kinds during the 16th century; he then explores the track of the recovery and the increase of opera.
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Extra resources for Summary of the History and Development of Medieval and Modern European Music
The greatest of the early organists, and the first who arrived at any real maturity of style, was Girolamo Frescobaldi (1583—1644), organist of St. Peter's at Rome. His works comprise some of the earliest examples of well-developed THE PROGRESS OF INSTRUMENTAL MUSIC. 39 fugues of the modern kind, as well as specimens of all the forms known in his time, which show that he had great mastery of resource and inventiveness, as well as firm grasp of artistic principles. The earliest of the great German organists was S.
The Italians in those days cared little for ballet; and to make Cavalli's operas palatable to French audiences, ballet airs had to be supplied. , by his talent for supplying dance music for the " Mascarades," in which the King and his Court took pleasure in dancing. Lulli was by this means brought into direct contact with Cavalli's works, and the experience stood him in good stead when he came to write operas some ten years later. " 22 THE PROGRESS OF OPERA. The foremost French composer of the time was Robert Cambert (1628-1677), who is sometimes described as the first composer of French opera.
It evidently made an impression upon the musical people of the day ; but it was the last opportunity Purcell had of writing for the stage for a long while. In 1680 he was appointed organist of Westminster Abbey, and thenceforward he devoted all his abilities for some years to Church music, of which he produced an enormous quantity, of characteristic but very unequal quality. It was not till after the accession of William III. (1688) that he had another opportunity of writing the music for an opera.
Summary of the History and Development of Medieval and Modern European Music by Charles Hubert Hastings Parry