Download e-book for iPad: The Art of Digital Audio Recording: A Practical Guide for by Steve Savage

By Steve Savage

ISBN-10: 0195394097

ISBN-13: 9780195394092

ISBN-10: 0195394100

ISBN-13: 9780195394108

Making nice audio recordings calls for notable the best stability among technical knowledge and sensible figuring out of recording periods. Even within the electronic age, probably the most very important points of constructing and recording track are non-technical and, consequently, are usually ignored by way of conventional recording manuals. The paintings of electronic Audio Recording teaches readers what they honestly want to know that allows you to make nice sound recordings with desktops - either the sensible and the technical info, including:· What to appear and pay attention for in a recording setting· undemanding suggestion on recording virtually any tool· necessities of electronic audio workstations· necessities of recording equipment: microphones, mixers, and audio system· basics of figuring out and using EQ, compression, hold up, and reverb· secrets and techniques to operating artistic recording periods· useful software of electronic modifying, blending, and masteringA distinct part identifies suggestions to the commonest demanding situations within the recording studio, and the publication additionally positive factors an addendum with crucial counsel and reference details including:· find out how to stroll right into a advertisement studio and be the engineer· learning and purchasing equipment: net vs. brick and mortar· electronic codecs: A convenient referenceAs an entire, The paintings of electronic Audio Recording is an important source that provides recordists the instruments they should permit technical figuring out serve larger musical pursuits.

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Extra info for The Art of Digital Audio Recording: A Practical Guide for Home and Studio

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Here, I am concerned primarily with software mixers (the mixer in your DAW), which might be better described as a virtual control surface. However, your DAW’s mixer is modeled after its hardware predecessors, so much of what I cover here translates to the hardware world as well, and I include a discussion of mic preamps also. I follow a typical order of controls from top to bottom on a typical channel strip, but this order will vary with different software. The general function of each of these controls is found in almost every mixer.

The figure-8 mic is placed in close proximity (usually above or below) the cardioid mic and aimed at a 90 degree angle to the cardioid so that the two areas that it picks up are each offset 90 degrees from the center mic. The figure-8 microphone encodes stereo information by picking up from the two opposing sides of the microphone’s capsule. The single channel that is recorded by the figure-8 mic (side channel) is decoded by duplicating that channel and reversing the polarity (also called “inverting the phase”) on the duplicated channel and then panning the original and polarity-reversed channel hard left and hard right, respectively.

This is why experience is so valuable—it allows you to make good choices quickly, thereby maintaining the creative flow of the session. Sometimes musicians thrive on taking the time for a lot of experimentation with mic placement (and sometimes the budget allows it, as well), but it is up to the recordist to help determine the proper balance between tweaking and keeping the session moving. 23 Phase and polarity Phase and polarity are two key elements of concern whenever there are two sources for the same sound.

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The Art of Digital Audio Recording: A Practical Guide for Home and Studio by Steve Savage


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