Read e-book online The Hélène Cixous Reader PDF

By Hélène Cixous

ISBN-10: 041504930X

ISBN-13: 9780415049306

This can be the 1st really consultant selection of texts through Helene Cixous. The sizeable items variety extensively throughout her whole oeuvre, and contain essays, works of fiction, lectures and drama. prepared helpfully in chronological order, the extracts span two decades of highbrow notion and display truly the advance of 1 of the main artistic and awesome minds of the 20 th century.
With a foreword by way of Jacques Derrida, a preface via Cixous herself, and firstclass editorial fabric by means of Susan dealers, The Helene Cixous Reader is destined to turn into a key textual content of feminist writing.

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88, pp. 90–100. , p. 72. , p. 79. 28 Derrida was Cixous’ accompanying keynote speaker at the 1990 conference “Lectures de la difference sexuelle”—“Readings of Sexual Difference”—organized by the Centre d’Etudes Feminines in collaboration with the College International de Philosophie (International College of Philosophy). Derrida also introduced Cixous’ 1991 Wellek lectures at the University of California, Irvine. 29 See, for example, Prénoms de personne, Paris: Seuil, 1974, pp. 13–111. 30 See “To Live the Orange,” below.

31 “At Hélène Cixous’ Pleasure”. Williams (eds), The Body and the Text: Hélène Cixous, Reading and Teaching, Hemel Hempstead: Harvester Wheatsheaf, 1990, pp. 5–30. 33 See “To Live the Orange,” “Extreme Fidelity” and “Three Steps on the Ladder of Writing,” below. For a more detailed introduction to Cixous’ work on Lispector, see (for readers of French) L’Heure de Clarice Lispector, Paris: des femmes Antoinette Fouque, 1989; (for readers of English) Reading with Clarice Lispector, edited and translated by Verena Andermatt Conley, Minneapolis: Minnesota University Press, and Hemel Hempstead: Harvester Wheatsheaf, 1990.

In its narrowness it is female, smaller too than the mouth, yet sufficient, less commanding, but self-assured. It’s true, there’s no connection between speech and movement; for the moment, I’m comfortable in the hand because I’m not ashamed at all to be indefinite, and ignorant. When the mouth spoke to me, the sharpness of its lines blurred every attempt I made to know: two concave curves, two convex curves, connecting at a fixed point, and I a soft amorphous shape without even a center before there was a wound, I trembled, you could have said I barely existed.

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