Read e-book online The Sacred and the Feminine: Imagination and Sexual PDF

ISBN-10: 085771659X

ISBN-13: 9780857716590

Resisting either the rejection of conception and the present displacement of artwork heritage in favour of visible tradition, New Encounters as an alternative rejuvenate either techniques. Marked out by means of its severe engagement with and shut proficient readings of pictures, texts and cultural occasions, this sequence employs new feminist, postcolonial and queer views. New Encounters additionally showcases interesting new volumes which revisit key figures in 20th century paintings via hugely unique feminist approaches.

The idea of a different intimacy among ""the female and the sacred"" has acquired major cognizance because the e-book of Julia Kristeva and Cathérine Clément's recognized ecumenical ""conversation"" of an identical identify which desirous about the connection among that means and the physique at whose interface the female is located. dropped at the broader public because the ""sacred feminine"", it has additionally made its mark on pop culture. taking on the controversy and relocating past anthropology or theology, writers from different ethnic, geo-cultural and spiritual views the following sign up for with secular cultural analysts to discover the sacred and the female in artwork, structure, literature, paintings background, tune, philosophy, theology, serious concept and cultural experiences. The publication addresses key concerns in feminist questions of creativity, the imaginary and the sacred as ""otherness"", exploring the ways that visible practices have explored this wealthy, contested and hugely charged territory.

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Additional resources for The Sacred and the Feminine: Imagination and Sexual Difference (New Encounters: Arts, Cultures, Concepts)

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In the ancient imaginary in which the human pictured itself in relation to its other, the animal was a powerful signifier for what the human was learning to think itself through this language of the Other. Traces of the richness of this vocabulary remain for us to decipher in the Egyptian world of animal headed or animal-attributed deities (the very things that monotheistic, patriarchal Mosaic prohibitions most exclude: graven images of anything that is the heaven above [Sun and Moon], the earth below [animals and birds], or below the earth [serpents], or in the sea [fish and sea mammals]).

13 At that point, powerful, communally dispersed anxieties around life and death, the body, its drives and limits, its anxious perplexity before inside/outside, self and other, that, in the history of social, economic and cultural processes found other compelling but individuating forms through the institutions of religions such as Christianity (that themselves ‘produced’ their own subject, and subjectivity as the internalized site of anxiety and its violence, desire and its turmoil), produce both the subject of psychoanalysis and a psychoanalysis of the subject.

23 Harrison challenged the heavily patriarchal, narcissistically masculine privilege of an exclusive access to a Classical hence universal knowledge. Precisely in hypothesizing a feminine counter-principle within the archaic seed-bed of the cultural archive and hence at the foundations of western art itself, notably through her book Themis, (1912 and 1927), Harrison thus transformed a phallic lack into a feminist legacy. 1. 24 They punched through the back wall of the history of Classical and hence white Euro-Christian West’s self-representation to discover the much more ancient, chthonic origins of religion and indeed of art itself in ritual.

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