Tracey W. Tupman's Theatre Magick: Aleister Crowley and the Rites of Eleusis PDF

By Tracey W. Tupman

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The verbal/auditory includes the selection of text, with attention to the style of the language, the appropriateness of the subject matter, and the effectiveness of its sound. 53 Music, either a capella or instrumental, may also be included. The text may be no more than a simple mantra such as the repetition of “Om,” or the repetition of a preplanned prayer, poem, or other appropriate words. The corporal/kinesthetic elements are signs or gestures associated with each of the sequential segments of the text.

These three are used in developing the capability to experience spiritual energies at their peak moments in our lives. They are manifested at those times we feel most “alive” or in synchronization with the rest of the universe. The diagram of the Tree of Life illustrates a number of concepts. Since all other sepheroth descend from Kether, we may see the evolution of the universe out of this first sephiroth, the initial unity of God. The positions of the sepheroth create three vertical columns within the Tree which are referred to as the Three Pillars (see Figure 5).

The idea of God manifesting as a word is often presented in the Old Testament. This is a concept echoed in Christianity. The Gospel of John begins “In the beginning was the Word, and the Word was with God, and the Word was God” (John 1:1). This gospel continues “And the Word became flesh, and dwelt among us (John 1:14). ” The practice of Gematria posits that letters and words have numerical equivalents and that by examining the relationships between words with numerical or mathematical connections one may gain insight into the hidden meanings which connect them: Aleph Beth Gimel Daleth Heh Vau Zayin Cheth Teth Yod Kaph Lamed Mem Nun Samekh Ayin Peh Tzaddi Qoph Resh Shin Tau 1 A 2 B 3 G 4 D 5 H (E) 6 V (U) 7 Z 8 Ch 9 T 10 Y (IorJ) 20, 500 K 30 L 40, 600 M 50, 700 N 60 S 70 O 80, 800 P 90, 900 Tz 100 Q 200 R 300 S (Sh) 400 T (Th) ‫א‬ ‫ב‬ ‫ג‬ ‫ד‬ ‫ה‬ ‫ו‬ ‫ז‬ ‫ח‬ ‫ט‬ ‫י‬ ‫כ‬ ‫ך‬ ‫ל‬ ‫מ‬ ‫נ‬ ‫ם‬ ‫ן‬ ‫ס‬ ‫ע‬ ‫פ‬ ‫צ‬ ‫ף‬ ‫ץ‬ ‫ק‬ ‫ר‬ ‫ש‬ ‫ת‬ Figure 1: The Hebrew Alphabet and its Numerical Correlation 31 For practical magical purposes, the numerical equivalence between the temporal and spiritual worlds assumes an influential connection between them.

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Theatre Magick: Aleister Crowley and the Rites of Eleusis by Tracey W. Tupman


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