Fóti, Véronique Marion's Vision's invisibles : philosophical explorations PDF

By Fóti, Véronique Marion

ISBN-10: 0791457338

ISBN-13: 9780791457337

ISBN-10: 0791457346

ISBN-13: 9780791457344

ISBN-10: 079148680X

ISBN-13: 9780791486801

ISBN-10: 1417531304

ISBN-13: 9781417531301

Examines the development of imaginative and prescient within the works of Heraclitus, Plato, Descartes, Heidegger, Merleau-Ponty, Foucault, Nancy, and Derrida.

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22 The banishment of play implicitly negates the wayward play of the glance in the visuality of eros and beauty and introduces a tension (which Heidegger strives to assuage) between an envisagement of the beauty of truth and artistic practice. This tension certainly betrays itself in Plato’s suspicion of writing. Compared to the Republic and Symposium, the Phaedrus countenances sensuous beauty and gives considerable scope to a visual engagement with phenomenal pesencing. It also pays homage, in a philosophically quite 36 Greek Philosophy unprecedented manner (although certainly with rich precedent in lyric poetry and tragic drama), to the sensuous beauty of nature—the limpidity and coolness of the Ilisus, the exquisite form and shady canopy of the trees, the lilac haze and fragrance of the flowering chaste tree, the softness of the grass, and the enchanting music of the cicadas in the shimmering heat.

Although such beauty powerfully inspires him, it also makes for an absorption and a craving that are restrictive and must be overcome. The young lover does so by turning resolutely away from the visible and toward the invisible, learning to treasure, above all, the beauty of his companion’s soul. This move, however, leads him on to abandon the psychophysical presence of the other person altogether, so that he now has “eyes” only for the impersonal panorama of beauty accessible to the mind or soul: the beauty of customs and laws and the vast expanse of knowledge, which now inspire his practice of philosophy (Symp.

Heidegger, however, does not give full weight to the lethic and, for Plato, the perilous aspects of the erotic (as well as the artistic) response to beauty. He also does not consider that it is not being or manifestation as such that is the focus of the erotic quest, for eros, in the Phaedrus, remains entranced by the human beauty that is (as will be discussed shortly) the reflection of a particular divine protoype of beauty. Eros as “wing-thrusting” (pterophytor, according to the verses Plato attributes to the Homeridae; 252b8) is, at its best, a restorer of memory, but as a potent remedy it exhibits the ambiguity of pharmaka.

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Vision's invisibles : philosophical explorations by Fóti, Véronique Marion


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