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Audio Engineering a hundred and one is a true global consultant for beginning out within the recording undefined. in case you have the dream, the information, the track and the creativity yet don't be aware of the place to begin, then this e-book is for you!

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About the Author
Tim Dittmar is a musician, recording and dwell sound engineer, manufacturer, songwriter, and professor. Tim started his specialist recording profession in 1987 at Cedar Creek Recording studio in Austin, Texas. prior to finding to Austin, Tim acquired an affiliate in Arts in Radio/TV creation from Del Mar Junior university. He then spent a lot of the nineties traveling with a punk workforce, recording bands, and operating dwell sound at the notorious sixth road at a variety of venues. He used to be employed in 2000 as a professor and full-time school member at Austin neighborhood collage the place he at the moment teaches Audio Engineering I, Audio Engineering IV, and the distinctive initiatives type. Tim heads up the Technical aspect of business tune administration on the collage. He has additionally been a returning lecturer on the collage of Texas educating Audio creation and Audio for photo. Tim has labored in different studios in Austin, la and Chicago, compiling over three hundred album credit. Recording such artists because the outdated 97's, Voxtrot, Dynamite Boy, King Missile and the Murdocks. In 2008 he was once invited to reasonable a panel on the Tape Op convention in New Orleans the place he spoke on "The kingdom of Audio Education”. at the present, he owns and operates Las Olas Recording in Georgetown, Texas. He presently excursions and documents together with his spouse within the workforce Annabella and will even be noticeable drumming with The Hearts & The Minds, Kristi Rae, and Everything's long gone Green.

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Simdi 13' çünc'ü araliga kadar notalarimizi yazalım. 48 DO M A J Ö R B İ R Ş A R K I Y I Ç A L A R K E N A K O R L A R SPANISH K U L L A N I L A C A K EVES S L O W T O M J O N E S 49 MINOR GAMLAR NASIL BULUNUR. Minör gamlar 3 ce ayrilir. 1= DOĞAL MİNÖR GAM 2 = HARMONIK MINOR GAM 3 = MELODİK MINOR GAM. derecesini yarim ses artirdiğimizda Harmonik minör gaminin ekstradan almls olduğu arizayi buluruz,ve doğal minör gamin hem 6'ci hem de 7'ci derecesini yarim ses artirdiğimizda melodik minör gaminin ekstradan almiş olduğu arizalari buluruz.

Pozisyona kadar etüd ve çalismalarimizi yapmistik. pozisyonda. ve bu şekilde notalar! parmagimiz 5. parmakla basacağiz. Çikici ve inici Do majör gamini çalarken ayni parmaklar kul lanı 1lacak. parmak inerkende SOL' ve LA notalarini 1. parmakla çalacağiz. pozisyonda bulunan RE ve SOL notalarinin yerlerini değiştirdik. pozisyondaki yerleri ve parmaklarini kullanarak calisiniz. Gami ilk önce inici ve cikici olarak iyice calisiniz. Simdi yine bas notalardayiz yani 1. oktav DO majör gaminda. Pozisyonun her iki oktavindada iyi bir şekilde calistiktan sonra'oH SUZANNA'adli şarkiyi caliniz.

En son yazilan bir önceki bemol bize şarkinin hangi majör tonda yazildigini belirtir. Tek bemol olan Bb bu kuralin dişindadir. Tek bemol gördüğünüz zaman o şarkinin tonu ya FA MAJÖR yada RE MİNÖR dür. inceleyelim. MAJÖR GAMLARIN DOĞAL İLGİLİ MİNÖRLERİ NASIL BULUNUR ? ci derecesinin almiş olduğu ses bize ilgili minörününün ismini verir. Majör ve ilgili minörünün sol anahtarinin yanina koyulan ariza sayisi aynidir. Misal do majör gamini ele alacak olursak 6 ci derecesi LA sesi ve bu sesten başlayarak doğal minör dizilerini ( 1 tam 1 yarim - 2 tam - 1 yarim - 2 tam derecelerini ) yerleştirirsek Am gamini bulmuş oluruz.

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Lectura rápida para todos by R. G. Carbonell

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